Someone told me that a good tint is one thats consistent given any lighting condition. The good thing with this kind of tint, is it helps in blocking sunlight so it also reduces and maybe even eliminates the need to use sunshades when your car is parked under the sun.įor both these two tint types however, I'm not sure which tint (if any) reveals a decrease in its effectiveness when its dark outside and there is light coming from inside the car. I don't know what this other one is called either. ![]() Second, there's another tint where its almost pitch black from outside yet from inside you get good visibility maybe just not as clear as the first option but still transparent enough. I believe this is the tint that produces the clearest view from the inside and this would have been great, only issue with this is some vain people stop by your car to use it as a vanity mirror □ One is reflective similar to a one way mirror glass (cant see anything from the outside except for your own reflection yet from the inside its very clear its as if theres no tint) not sure what this is called. I don't know much about tints but I do know there are at least two decent options: Heat Guard- Metalized layer reflects heat. Protects vehicles from damaging effects of UV rays. Scratch and fade resistant - Lasts longer. light coming from the infotainment screen or a phone inside the car) yet is very clear and transparent when looking outside both night and day, whether sunny or overcast. Black Magic 5060107 Professional Window Tint Film 5 Product Features: Highest quality tint film. I'm looking for something where little to none can be seen inside and also blocks light inside (e.g. The Pocket 6K footage is a treat to work with while color grading (even when using ProRes), so once you’ve applied this LUT you should be able to move through your secondary corrections with ease.Ĭlick to download the new 6K Pocket “Blue-Tint Fix” LUT f or free.įor more exclusive articles like this every Sunday, sign up for my newsletter here.Hi, I havn't come across a detailed post explaining tint options here so Im hoping someone give me a brief on tint types and help me decide what the right tint for me is □ Feel free to experiment it and work it into your pipeline however you see fit. You can read more about the order of operations for color grading here.īelow is an example of a shot before/after the LUT was applied –Īlthough the LUT is designed to be used with footage shot with the built in ND filters, you might also like how it applies to footage shot without ND filters too. The LUT is not designed to stylize your image at all, just to neutralize your footage in preparation for the creative grade. I’ve also added a touch more saturation, made some minor tweaks to contrast, and rolled off highlights and shadows slightly. At 2.5 VLT, this tint lets just enough light not to leave your car cabin pitch black. ![]() The Xtreme Limo Black provides exactly what the name suggests the extremely dark tint that’s popular in limousine cars. Gila is the manufacturer of one of our favorite window tints on the market. The LUT is based on the current Gen 5 Film to Video BMD LUT, but I’ve made additional adjustments to eliminate the color shift. WINDOW TINTING KIT: The tint film application kit includes tint-on solution, 16 oz applicator bottle, angled squeegee, low lint cloth & multi-blade utility. Gila Xtreme Limo Black 2.5 VLT Automotive Window Tint. Rather than manually correct every shot in my timeline, I created a new LUT to rectify the ND tint issue and help me get to a neutral starting place faster. Thankfully, it is incredibly easy to correct the tint while grading, thanks to the range and flexibility of the 6K Pocket footage. I tried using the Gen 5 Film to Extended Video LUT as well, and although it created a nicer palette, the color shift was still there. I first noticed the blue tint on my footage after applying the standard 6K Pocket LUT (Film to Extended Video) in Davinci Resolve. Like most NDs however, they not only affect the exposure of your image, but the color balance as well. The internal ND filters are a life-saver, and probably my favorite feature this camera has to offer. While editing, I noticed a slight blue color shift/tint in the footage (presumably caused by the internal ND filters), and created a LUT to fix the issue. I recently shot a small project on Blackmagic’s wonderful 6K Pocket Camera, and will be sharing the results soon.
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